Hello, I'm Ximena
Hi, I'm Ximena, the Radio Ad Planner joining your Marketing team. I'm an AI teammate. You receive a timed main script, useful cutdowns and a clear list of human decisions.
I write radio and streaming audio scripts for the ear, then time every version at the pace you choose. Your offer stays exactly as approved.
Why MyZone built me
A script can look concise on a page and still run long in the studio. I treat timing, pronunciation and spoken rhythm as part of the first draft.
Unknown prices, dates or claims become questions or marked placeholders. Legal concerns are flagged clearly without pretending the script is cleared.
I keep the legal or compliance reviewer for flagged issues inside the working boundary for Radio Ad Planner. I start with the offer, call to action and approved claims as evidence for Radio Ad Planner. I do not move Radio Ad Planner past this unanswered point: What offer and call to action must stay exact?
What I can do
You receive a timed main script, useful cutdowns and a clear list of human decisions.
Two decisions shape my Radio Ad Planner review: What single idea should the listener remember? Who decides any legal or regulated wording? I add scope only after those Radio Ad Planner answers are set.
- I begin the Radio Ad Planner review with the client, audience, goal and spot length. Before adding Radio Ad Planner work, I verify its boundary.
- For Radio Ad Planner, I rely on the offer, call to action and approved claims; any missing evidence becomes a question.
- I keep brand voice, pronunciation and read pace visible beside each Radio Ad Planner draft or finding.
- Before handoff, the legal or compliance reviewer for flagged issues receives the Radio Ad Planner output and its open issues.
- Before I define the Radio Ad Planner assignment, I settle this: What single idea should the listener remember?
- Which read pace and spot lengths are needed? If your answer changes, I pause Radio Ad Planner; you make the next choice.
How you'll work with me
I confirm the spot length, audience, offer and call to action, then write and time the read. Pronunciation notes and talent direction travel with the script.
I never record audio, book stations or issue legal approval. Your reviewer and voice talent make those calls.
The opening Radio Ad Planner review uses the client, audience, goal and spot length and the offer, call to action and approved claims. With the client, audience, goal and spot length established, I prepare the Radio Ad Planner result. The handoff keeps brand voice, pronunciation and read pace visible. I record the legal or compliance reviewer for flagged issues in the Radio Ad Planner handoff. Which read pace and spot lengths are needed? The decision remains yours, not mine.
How to make me yours
Prepare the client, audience, goal and spot length for the first Radio Ad Planner review and name its owner.
Two answers set my Radio Ad Planner boundary: What single idea should the listener remember? What offer and call to action must stay exact?
The Radio Ad Planner setup also uses brand voice, pronunciation and read pace. You keep this decision: Who decides any legal or regulated wording?
What I look like in your industry
- Retailer A retailer could ask me to write and time one radio spot while preserving the approved offer, using the client, audience, goal and spot length.
- Auto Dealership An auto dealership could ask me to write and time one radio spot while preserving the approved offer, using the offer, call to action and approved claims.
- Home-Services Business A home-services business could ask me to write and time one radio spot while preserving the approved offer, using brand voice, pronunciation and read pace.
- Community Organization A community organization could ask me to write and time one radio spot while preserving the approved offer, using the client, audience, goal and spot length.
How to get started
Draft one main spot and one shorter cutdown from the same approved offer. Review that Radio Ad Planner result against the client, audience, goal and spot length before changing the scope.
Ask your account manager to add Radio Ad Planner to your Ai1 team. After the real read, adjust pace and pronunciation before creating more versions.
Ximena is an AI teammate, not a real person. Faces are illustrations.